During this weekend’s trip we learned that noise of rumble strips, bumpy dirt roads and cow grates make Ansel a bit nervous. (And no, we weren’t driving when this photo was taken.) 
#anselgram #laborday #bigbaby #uintahs #gsp #anxiousdoggy #mountainroads

During this weekend’s trip we learned that noise of rumble strips, bumpy dirt roads and cow grates make Ansel a bit nervous. (And no, we weren’t driving when this photo was taken.)
#anselgram #laborday #bigbaby #uintahs #gsp #anxiousdoggy #mountainroads

Our destination, the Uintah Mountains. Ready for an off the grid weekend — happy Labor Day weekend! #uintahs #mountains #laborday #happy

Our destination, the Uintah Mountains. Ready for an off the grid weekend — happy Labor Day weekend! #uintahs #mountains #laborday #happy

graciehawthorne:

FUCK YEAH

(Source: amypoehler, via siminib)

storyshots:

Drawing from films

Drawing from films is a ridiculously useful exercise. It’s not enough to watch films; it’s not enough to look at someone else’s drawings from films. If you want to be in story, there’s no excuse for not doing this.

The way this works: you draw tons of tiny little panels, tiny enough that you won’t be tempted to fuss about drawing details. You put on a movie - I recommend Raiders, E.T., or Jaws… but honestly if there’s some other movie you love enough to freeze frame the shit out of, do what works for you. It’s good to do this with a movie you already know by heart.

Hit play. Every time there’s a cut, you hit pause, draw the frame, and hit play til it cuts again. If there’s a pan or camera move, draw the first and last frames.

Note on movies: Spielberg is great for this because he’s both evocative and efficient. Michael Bay is good at what he does, but part of what he does is cut so often that you will be sorry you picked his movie to draw from. Haneke is magnificent at what he does, but cuts so little that you will wind up with three drawings of a chair. Peter Jackson… he’s great, but not efficient. If you love a Spielberg movie enough to spend a month with it, do yourself a favor and use Spielberg.

What to look for:

  • Foreground, middle ground, background: where is the character? What is the point of the shot? What is it showing? What’s being used as a framing device? How does that help tie this shot into the geography of the scene? Is the background flat, or a location that lends itself to depth?
  • Composition: How is the frame divided? What takes up most of the space? How are the angles and lines in the shot leading your eye?
  • Reusing setups, economy: Does the film keep coming back to the same shot? The way liveaction works, that means they set up the camera and filmed one long take from that angle. Sometimes this includes a camera move, recomposing one long take into what look like separate shots. If you pay attention, you can catch them.
  • Camera position, angle, height: Is the camera fixed at shoulder height? Eye height? Sitting on the floor? Angled up? Down? Is it shooting straight on towards a wall, or at an angle? Does it favor the floor or the ceiling?
  • Lenses: wide-angle lens or long lens? Basic rule of thumb: If the character is large in frame and you can still see plenty of their surroundings, the lens is wide and the character is very close to camera. If the character’s surroundings seem to dwarf them, the lens is long (zoomed in).
  • Lighting: Notice it, but don’t draw it. What in the scene is lit? How is this directing your eye? How many lights? Do they make sense in the scene, or do they just FEEL right?

This seems like a lot to keep in mind, and honestly, don’t worry about any of that. Draw 100 thumbnails at a time, pat yourself on the back, and you will start to notice these things as you go.


Don’t worry about the drawings, either. You can see from my drawings that these aren’t for show. They’re notes to yourself. They’re strictly for learning. 

Now get out there and do a set! Tweet me at @lawnrocket and I’ll give you extra backpats for actually following through on it. Just be aware - your friends will look at you super weird when you start going off about how that one shot in Raiders was a pickup - it HAD to be - because it doesn’t make sense except for to string these other two shots together…

(via siminib)

Sometimes I want to frame and/or eat my palette. 
#yum #latergram #color #art #palette #studio #dscolor #happy #accidents #friday

Sometimes I want to frame and/or eat my palette.
#yum #latergram #color #art #palette #studio #dscolor #happy #accidents #friday

Thanks to everyone who participated in this week’s #midweekgiveaway - I loved reading through your reactions. 

The print winners are @cassie_paul, @foldingchairdesign and @callucruze. Congrats! Send me your addresses at les@lesliedukeart.com.

Thanks to everyone who participated in this week’s #midweekgiveaway - I loved reading through your reactions.

The print winners are @cassie_paul, @foldingchairdesign and @callucruze. Congrats! Send me your addresses at les@lesliedukeart.com.

Photo shoot with @fictionistnoise in the amazing studio of @ladyhue. And it was the first time we all experienced @trevorchristensen’s “nude photographs” first hand — check him out if you haven’t already.
#photoshoot #fictionistnewnoise #nude #naked

Photo shoot with @fictionistnoise in the amazing studio of @ladyhue. And it was the first time we all experienced @trevorchristensen’s “nude photographs” first hand — check him out if you haven’t already.
#photoshoot #fictionistnewnoise #nude #naked

My grandma put together a book of drawings I have her as a kid - so today’s #tbt is a floating self portrait as a 6 year old. 
#i #love #grandma #drawing #art

My grandma put together a book of drawings I have her as a kid - so today’s #tbt is a floating self portrait as a 6 year old.
#i #love #grandma #drawing #art

mallowninja:

thisshitfunny:

thatdudeemu:

queerasfuck88:

Jon Stewart Goes After Fox in Powerful Ferguson Monologue

I been waiting for the daily show to come back so they could cover this

Jon rip them boys a new asshole 

"You’re tired of hearing it? Imagine how fucking exhausting it is living it."

hey i’ve found my new response if anyone i know gets mad at me for talking about the ferguson bullshit

(Source: youtube.com, via iwriteaboutfeminism)

"Until I started taking my antidepressants, though, I didn’t actually know that I was depressed. I thought the dark staticky corners were part of who I was. It was the same way I felt before I put on my first pair of glasses at age 14 and suddenly realized that trees weren’t green blobs but intricate filigrees of thousands of individual leaves; I hadn’t known, before, that I couldn’t see the leaves, because I didn’t realize that seeing leaves was a possibility at all. And it wasn’t until I started using tools to counterbalance my depression that I even realized there was depression there to need counterbalancing. I had no idea that not everyone felt the gravitational pull of nothingness, the ongoing, slow-as-molasses feeling of melting down into a lump of clay. I had no way of knowing that what I thought were just my ingrained bad habits — not being able to deposit checks on time, not replying to totally pleasant emails for long enough that friendships were ruined, having silent meltdowns over getting dressed in the morning, even not going to the bathroom despite really, really, really having to pee — weren’t actually my habits at all. They were the habits of depression, which whoa, holy shit, it turns out I had a raging case of."

Not Everyone Feels This Way — The Archipelago — Medium (via brutereason)

Do you see those trees? There are leaves. There are leaves.

(via into-the-weeds)

This sums it up perfectly.

(via siminib)